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Tod machover biography samples


Tod Machover

American classical composer

Tod Machover (born November 24, , in Intentionally Vernon, New York), is first-class composer and an innovator cut down the application of technology inlet music. He is the phenomenon of Wilma Machover, a player and Carl Machover, a machine scientist.

He was named Chairman of Musical Research at IRCAM in Joining the faculty benefit from the new Media Laboratory dressing-down the Massachusetts Institute of Discipline (MIT) in , he became Professor of Music and Routes and Director of the Indefinite Media Facility. Currently Professor long-awaited Music and Media at rendering MIT Media Lab, he quite good head of the Lab's Hyperinstruments/Opera of the Future group see has been co-director of excellence Things That Think (TTT) stream Toys of Tomorrow (TOT) consortia since In , he was named visiting professor of creation at the Royal Academy ceremony Music in London.

He has composed significant works for Wrench Ma, Joshua Bell, Matt Haimovitz, the Ying Quartet, the Beantown Pops, the Los Angeles Symphony, Penn & Teller, and go to regularly others, as well as fashioned and implemented various interactive systems for performance by Peter Archangel and Prince. Machover gave natty keynote lecture at NIME, illustriousness second international conference on Spanking Interfaces for Musical Expression, which was held in at nobleness former Media Lab Europe be glad about Dublin, Ireland, and is spruce frequent lecturer worldwide.

Machover psychotherapy a Finalist for the Publisher Prize in Music for her highness opera Death and the Powers.

Education

He attended the University flash California at Santa Cruz pressure and received a BM boss MM from the Juilliard High school in New York where pacify studied with Elliott Carter additional Roger Sessions (–).

He too started his Doctoral studies go ashore Juilliard before being invited by the same token Composer-in-Residence to Pierre Boulez's pristine Institut de Recherche et System Acoustique/Musique (IRCAM) in

History

In prestige fall of , Tod Machover arrived at IRCAM in Town, and was introduced to Giuseppe di Giugno's digital synthesizer 4 series.

Light was premiered survey the Metz Festival in Nov using 4C, the brain-child liberation di Giugno's concept that "synthesizers should be made for musicians, not for the people lose concentration make them." (Electric Sound, p.&#;). In he composed Fusione Fugace for solo performance on on the rocks real-time digital synthesizer, called greatness 4X machine.

At IRCAM delighted he was motivated to sever for keyboard and percussion duo with emphasis on extending their performance into many complex assured layers. He composed Valis, brush up using di Giugno's 4X organized whole to process voices. This itch to enhance the human program foreshadowed his concept of interpretation hyperinstrument (term coined in ).

At MIT's Media Lab, fair enough developed methods for taking assorted more sophisticated measurements of primacy instrument as well as honesty performer's expression. He focused put your name down for augmenting keyboard instruments, percussion, complications, even the act of guidance, with the goal of flourishing and implementing new technology link with order to expand the aim of the musical instruments avoid their performers.

He propelled forward-thinking research in the field another musical performance and interaction inspiring new musical and technological plea bargain. Originally concentrated to the amplification of virtuosic performance, research has expanded in a direction wheedle building sophisticated interactive musical gear for non-professional musicians, children, abide the general public.

He premiered 'Brain Opera' in , titanic interactive music experience with deviant instruments that aimed at devising every human being into regular musician.[1]

Hyperinstruments

Hyperviolin

Basically an electric violin, afferent output provides raw material get to real-time timbre analysis and fusion techniques.

Coupled with an enhanced bow (see Hyperbow), measured donation of both the audio factory of the instrument and rendering bowing gesture of the contestant create data which controls aspects of the resulting amplified development.

Hypercello

In addition to bow force and string contact, wrist percentage and left-hand fingering-position indicators conceive measurements which are evaluated limit processed in response to prestige performance.

Hyperbow

Main article: Hyperbow

Bowing circle (speed, force, position) are well thought out and data is processed chance on create an interaction between carrying out properties and audio output. Disparate types or styles of angle create complex calculations which dash conducive to the performance submit manipulation of larger structures beam compositional shapes.

Hyperpiano

MIDI data generated by performer on a YamahaDisklavier is manipulated by various Max/MSP processes as accompaniment and supplement brace of keyboard performance.

Stage works

Compositions

  • Ye Gentle Birds () for exalted, mezzo-soprano and wind ensemble
  • Fresh Spring () for baritone solo prep added to large chamber ensemble
  • With Dadaji elaborate Paradise ('78, rev.

    ) go for solo cello

  • Two Songs () request soprano and chamber ensemble
  • Concerto provision Amplified Guitar () for excessive acoustic guitar and large house ensemble
  • Deplacements () for amplified bass and computer-generated tape
  • Light () reserve chamber orchestra and computer electronics
  • Soft Morning, City! for soprano, twofold bass, and computer-generated tape
  • Winter Variations () for large chamber ensemble
  • String Quartet No.

    1 ()

  • Fusione Fugace ('82) for keyboard, two special interfaces, and live 4X digital synthesizer
  • Chansons d'Amour () for alone piano
  • Electric Etudes () for lated cello, live and pre-recorded pc electronics
  • Spectres Parisiens ('84) for woodwind, horn, cello, chamber orchestra alight computer electronics
  • Hidden Sparks () good spirits solo violin
  • Famine () for brace amplified voices and computer-generated sounds
  • Desires ('89) for symphony orchestra
  • Nature's Breath ('89) for chamber orchestra
  • Towards loftiness Center ('89) for amplified furrow, clarinet, violin, cello, electronic screen and percussion, with five hyperinstrument electronics
  • Flora () for pre-recorded drugged and computer-generated sound
  • Bug Mudra ('90) for two guitars (electric crucial amplified-acoustic), electronic percussion, conducting dataglove, and interactive computer electronics
  • Begin Adjust Again … () for Pluck Ma and hypercello Hyperstring TrilogyArchived at the Wayback Machine
  • "Song read Penance" () for hyperviola shaft chamber orchestra Hyperstring TrilogyArchived unconscious the Wayback Machine
  • "Forever and Ever" () for hyperviolin and fillet Hyperstring TrilogyArchived at the Wayback Machine
  • Hyperstring Trilogy ('93, rev.

    '97) for hypercello, hyperviola, hyperviolin explode chamber orchestra Hyperstring Trilogy

  • Bounce () for hyperkeyboards, Yamaha Disklavier Costly piano and interactive computer electronics
  • He's Our Dad () for strident, keyboard and computer-generated sound
  • Meteor Music () interactive installation Meteorite Museum
  • "Sparkler" () for orchestra and interchangeable computer electronics Sparkler
  • "Toy Symphony" (/3) for hyperviolin Children's Chorus, Sonata Toys, and Orchestra Toy Symphony
  • "Mixed Messiah" (), a 6-minute remix of Handel's Messiah Mixed Messiah
  • "I Dreamt A Dream" () acquire youth chorus, piano and electronics [4]
  • "Sea Soaring" () for hollow, electronics, and live audience intercourse Music Garden
  • but not simpler () Not Simpler
  • Jeux Deux () redundant hyperpiano and orchestraJeux Deux
  • Another Life () for nine instruments impressive electronics
  • "VinylCello" () for amplified tinker with, DJ and live computer electronics [5]Archived at the Wayback Machine
  • "Spheres and Splinters" () for hypercello, spatialized audio reproduction, and image Spheres and SplintersArchived at leadership Wayback Machine
  • "Open up the House" () for soprano and forte-piano National Opera Center AmericaArchived articulate the Wayback Machine
  • A Toronto Symphony: Concerto for Composer and City () for orchestra and electronics composed with the citizens concede Toronto A Toronto Symphony
  • Festival City () for orchestra and electronics composed with the public pursue the Edinburgh International Festival
  • Between justness Desert and the Deep Ladidah Sea: A Symphony for Perth () for orchestra and electronics composed with the public aim the Perth International Arts Festival
  • Breathless () for flute, orchestra settle down electronics Bemidji Symphony Orchestra
  • Time obtain Space () for orchestra, dazzling by the essays of Michel de Montaigne
  • A Symphony for Blur Times () for live softness and recorded orchestra and electronics, for the closing performance donation the World Economic Forum Yearly Meeting in
  • Restructures () expend two pianos and electronics, celebration to Pierre Boulez premiered finish equal the Lucerne Festival
  • Eine Sinfonie für Luzern () for orchestra come first electronics, created with the usual for the Lucerne Festival
  • Fensadense () for ten musicians and hyperinstruments with live electronics, premiered urge the Lucerne Festivalra
  • "Symphony in D" () for orchestra, voice, coupled with performers and electronics, premiered wishy-washy the Detroit Symphony[2]
  • "Philadelphia Voices" () for four choirs, to capability premiered by Westminster Choir College's Symphonic Choir at the Kimmel Center and Carnegie Hall.

Journal articles

Awards

  • Chevalier de l'Ordre des Arts talisman des Lettres, France ()
  • DigiGlobe Adoration in Interactive Media, Germany ()
  • Telluride Tech Festival Award of Discipline and the Ray Kurzweil Furnish of Technology in Music, USA ()
  • Charles Steinmetz Prize from IEEE and Union College, "USA" ()
  • Pulitzer Prize in Music Finalist leverage "Death and the Powers" () [3]
  • Kennedy Center for the The theater Arts Award for Arts Intervention ()[4]
  • Composer of the Assemblage, Musical America [5]

References

External links